Tim Rhys again writes with a real beauty, with care and sensitivity and a clear grasp of his subject.

Quiet Hands packs a powerful punch… The three actors give strong and committed performances… James Ashton as Russ and Mo is excellent as a half naive and half bitter brother and a menacing Mo who is a mean predator.

Crow’s sombre visuals and irony-free intensity make for an unusual chiller.

Crow considers what extremes people may go to protect what they believe when they perceive their precious world is being threatened.

The subject of ancient natural forces and eco-horror is little explored in the realm of horror film. Crow is certainly an original enterprise in that regard.

If you’re after something a little different then Crow is the film for you. An interesting story of eco-warriors and nature versus Canary Wharf businessmen and machines.

Crow is a great cautionary tale of man’s need to respect nature and its beautiful history. An engaging and different kind of film to the norm.

The sad nostalgia and beauty of Tracey Rhys’ poem carefully reflects that same melancholic beauty that lies at the heart of Tim Rhys’ moving and hopeful play. 

Chris Durnall’s direction focuses on the performances, which are all excellent, Manfield particularly impressive as the exasperated and exasperating Carl.

Raw and unflinching, Touch Blue Touch Yellow will make you think twice what about what it means to be ‘normal. Tim Rhys doesn’t shy away from the raw emotion of the subject, while Tracey Rhys’s haunting poetry offers a lyrical counterpart.

A strong and much-needed contribution to the theatre scene in Wales, in its sincere, entertaining and accessible discussion of this disability.

Tim Rhys expertly explores how, in today’s society, it is often more important to ‘look right’ than to feel it. Though ostensibly exploring autism, the play really explores the complexities of communication and the overpowering pull of conformity we would all do well to question.

Packs a powerful punch… The three actors give strong and committed performances… James Ashton as Russ and Mo is excellent as a half naive and half bitter brother, and a menacing Mo who is a mean predator.

Director Chris Durnall and his excellent cast subtlety introduce a sharp note of tension and theatricality. This turns to a sharper realism as matters become more desperate.

Under the direction of Chris Durnall, the atmosphere of threat remains tangible throughout